reat silent movie actor Lillian Gish called him "the father of film" and Charlie Chaplin called him "the teacher of us all." During the same time, D. W. Griffith also exhibited superb business instincts by foundiD. W. Griffith is regarded by many as one of the greatest filmmakers of all time. More than anyone of the silent era, he recognized the potential of movies as an expressive medium. During that time, his achievements were momentous. In 1915 he finished the feature “Birth of a Nation,” regarded as the first masterpiece of cinema. In 1919 he finished the movie “Intolerance” (1919), which marked a new standard in filmmaking. His next two movies, “Broken Blossoms” (1919) and “Way Down East” (1920), sealed his reputation as America’s preeminent director. According to James Agee, "To watch his work is like being a witness to the beginning of melody, or the first conscious use of the lever or the wheel; the emergence, coordination, and first eloquence of language; the birth of an art: and to realize that this is all the work of one man." The great silent movie actor Lillian Gish called him "the father of film" and Charlie Chaplin called him "the teacher of us all." During the same time, D. W. Griffith also exhibited superb business instincts by foundinents were momentous. In 1915 he finished the feature “Birth of a Nation,” regarded as the first masterpiece of cinema. In 1919 he finished the movie “Intolerance” (1919), which marked a new standard in filmmaking. His next two movies, “Broken Blossoms” (1919) and “Way Down East” (1920), sealed his reputation as America’s preeminent director. According to James Agee, "To watch his work is like being a witness to the beginning of melody, or the first conscious use of the lever or the wheel; the emergence, coordination, and first eloquence of language; the birth of an art: and to realize that this is all the work of one man." The great silent movie actor Lillian Gish called him "the father of film" and Charlie Chaplin called him "the teacher of us all." During the same time, D. W. Griffith also exhibited superb business instincts by foundi. His next two movies, “Broken Blossoms” (1919) and “Way Down East” (1920), sealed his reputation as America’s preeminent director. According to James Agee, "To watch his work is like being a witness to the beginning of melody, or the first conscious use of the lever or the wheel; the emergence, coordination, and first eloquence of language; the birth of an art: and to realize that this is all the work of one man." The great silent movie actor Lillian Gish called him "the father of film" and Charlie Chaplin called him "the teacher of us all." During the same time, D. W. Griffith also exhibited superb business instincts by foundinning of melody, or the first conscious use of the lever or the wheel; the emergence, coordination, and first eloquence of language; the birth of an art: and to realize that this is all the work of one man." The great silent movie actor Lillian Gish called him "the father of film" and Charlie Chaplin called him "the teacher of us all." During the same time, D. W. Griffith also exhibited superb business instincts by foundireat silent movie actor Lillian Gish called him "the father of film" and Charlie Chaplin called him "the teacher of us all." During the same time, D. W. Griffith also exhibited superb business instincts by founding the United Artist production company together with Douglas Fairbanks, Charlie Chaplin, and Mary Pickford, the three greatest performers of the day.

However, from the mid to late 1920s things began to change. His intuitive powers started to wane. In 1924, at the age of 49, Griffith wrote in an article published by the Saturday Evening Post, “We do not want now and we shall never want the human voice with our films.” Only three years later, in 1927 the first talking movie, “The Jazz Singer” with Al Jolson was released. The reaction of the public to the movie was astounding. The picture was a sellout, one of the big box office hits of all time. In October 1930, the Fortune magazine wrote, "The advent of American talking movies is beyond comparison the fastest and most amazing revolution the whole history of industrial revolutions."